Charleston & Savannah Photography Workshop

Spring color, historic architecture, moss-draped oaks, and coastal textures—two cities, a week of field photography.

Workshop overview

Serene image of Wormsloe Plantation's oak avenue with mist near Savannah, Georgia.
Dates
Availability
Space available
Price
$1690 USD
Instructor
Andy Cook

Workshop video

About the Charleston & Savannah photography workshop

This small-group workshop photographs two historic cities of the American South, where architecture, landscape, and atmosphere shape the way scenes are seen and captured. Charleston and Savannah each offer a distinct visual rhythm. Together, they offer two complementary ways of working, one rooted in structure and design and the other shaped by atmosphere and space. By visiting both, participants gain access to a wider range of photographic possibilities than either city alone. Andy will help you refine decisions that lead to stronger, more visually compelling photographs.

Spring is an ideal season here. Mornings are cool and quiet. Foliage is fresh without being overwhelming. The pace of both cities allows us to work deliberately. We prioritize locations that reward patience, where small shifts in position, timing, and framing make a meaningful difference.

Charleston

Simplifying architectural scenes with structure and color

Charleston's historic district presents dense visual information: layered facades, narrow streets, strong verticals, frequent distractions, and seasonal color. We focus on slowing down and simplifying by choosing where to stand, managing perspective, and deciding what not to include. The goal is to keep the structure of the scene clear, allowing color to support the composition instead of becoming the subject.

Finding structure and rhythm in designed landscapes

At a historic plantation and garden, we work with intentional design. Paths, plantings, and architectural elements create rhythm and order within the frame. The emphasis is on light, alignment between elements, and subtle framing choices that keep images cohesive and inviting to the eye.

Adapting to texture, space, and changing conditions

At a coastal boneyard beach, weathered trees and open space replace architecture and color as the primary visual elements. These scenes reward patience and thinking carefully about framing. We use texture and negative space, adjusting compositions as light, wind, and water change.

Savannah

Working with space and restraint

Savannah offers a very different sense of space than Charleston. Locations such as Bonaventure Cemetery, Forsyth Park, and Wormsloe provide openness and natural separation between elements, which can make it tempting to include too much in a single frame. We simplify these scenes by choosing fewer elements, paying attention to spacing and balance, and deciding when a composition is complete rather than continuing to add more.

Using repetition and depth to guide the eye

Savannah's oak-lined avenues naturally create rhythm and flow. We study how repetition, layering, and depth work together, using position and focal length to guide the viewer through the frame without relying on dramatic light.

Photographing in soft, transitional light

Many of Savannah's strongest scenes reveal themselves in early morning. Transitional light allows subtle relationships to emerge between paths, trees, and open space. We pay close attention to timing, observation, and small refinements that turn simple scenes into well thought out photographs.

Architectural monument and oak tree at Bonaventure Cemetery in Savannah, Georgia.
Explore Savannah's Bonaventure Cemetery and learn to capture texture, light, and atmosphere in a historic setting.

Why this workshop?

The workshop allows participants to slow down and refine ideas, and explore independently when conditions are right.

Photographing Charleston and Savannah calls for a different kind of attention. Instead of reacting to big moments, you learn to notice small ones, including how light moves across a facade, how repetition shapes a frame, and how a scene settles when you stop trying to improve it. That's the pace of the week. You'll learn solid technique and workflow, but just as importantly, you'll learn how to make clearer decisions in the field.

Andy's role during the workshop is straightforward: help you make stronger photographs. He doesn't use workshop time to build his own portfolio. He’s there with you, talking through composition, troubleshooting exposure, and helping you see what’s working and what can be simplified. Instruction is practical, patient, and adapted to where you are, whether this is your first workshop or part of a longer photographic path.

Just as important as the photography is the atmosphere. Small groups, shared meals, early mornings, and unhurried conversations create a supportive environment where learning happens naturally.

Workshop itinerary and schedule

Lodging

Courtyard Marriott, Savannah/Midtown
6703 Abercorn Street, Savannah, GA 31405
Lodging website · 912-354-7878
Check-in
Check-out
Comfort Suites West of the Ashley (Charleston)
2080 Savannah Hwy, Charleston, SC 29407
Lodging website · 843-769-9850
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Check-out

Daily outline

  1. Day 1 (Monday, March 23)
    • — Meet in the hotel lobby for introductions and a brief overview of the week ahead.
    • — Afternoon and golden-hour photography at Bonaventure Cemetery, followed by dinner.
  2. Day 2 (Tuesday, March 24)

    Sunrise session featuring countryside ruins; breakfast in Savannah. Midday image review/processing time. Afternoon/evening photography featuring an oak lined lane and dinner at a local restaurant.

  3. Day 3 (Wednesday, March 25)

    Sunrise session in a Savannah city park; breakfast. Midday check-out and relocate to Charleston. Evening: early dinner, then a preview/practice session photographing driftwood at a boneyard beach until sunset.

  4. Day 4 (Thursday, March 26)

    Morning: driftwood beach session; breakfast. Midday review/processing time. Afternoon: plantation and garden photography; dinner.

  5. Day 5 (Friday, March 27)

    Morning: Charleston historic district. Midday review/processing time. Evening: dinner, then sunset behind the iconic Charleston bridge.

  6. Day 6 (Saturday, March 28)

    Final morning session in Charleston's historic district. The workshop concludes after the morning shoot. If your schedule allows, consider extending your stay to explore additional locations on your own.

Historic Charleston home with orange stucco and spring foliage.
Charleston's historic district offers rich architectural detail and spring color—great practice for clean composition.

What to expect

  • Morning: Early photography at a primary location, arriving before first light so there's time to work deliberately as the scene comes together. Sunrise is around 7:20 AM during this workshop.
  • Midday: Slower hours for rest, image review, and discussion. On select days, post-processing help is available for participants who bring a laptop with Photoshop installed.
  • Evening: Dinner is arranged either before or after photography. Sunset opportunities are limited, so we focus on locations that work well in late-day and early-evening light.

Note: Flower blooms, foliage, and beach conditions vary year to year. Rather than relying on any single element, we plan around light, composition, and subjects that photograph well in a range of conditions.

Two historic homes in Charleston's historic district, connected at upper levels.
Charleston's historic district is ideal for learning how to simplify busy scenes and control perspective.

Registration

Join us in spring to experience the timeless beauty of Charleston and Savannah.

→ Register for the Charleston & Savannah workshop

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Forsyth Park in Savannah, Georgia, with moss-draped trees and a lit pathway.
Forsyth Park at pre-dawn—soft light, Spanish moss, and calm compositions.

Workshop details

Experience level
Comfortable with camera basics — suitable for developing to advanced photographers.
Group size
Small group (target of 8 participants) for individualized help.
Effort
Low — most locations are a short, easy walk from parking; a few sites involve a 10–15 minute walk.
Conditions
Variable spring weather; mornings can be chilly, so dress in layers. Beach photography may involve getting calves and feet wet.
Arthur Ravenel Jr. Bridge in Charleston, South Carolina, at twilight.
The Arthur Ravenel Jr. Bridge at twilight—excellent for learning exposure control and clean structure.

Getting to the workshop

Air travel

The most convenient airports are Charleston International Airport (CHS) and Savannah/Hilton Head International Airport (SAV).

Driving and carpooling

Expect mostly paved roads throughout the workshop. During the workshop we encourage participants to carpool when possible to reduce impact and build camaraderie. A standard rental car is sufficient.

Drive time between Charleston and Savannah: ~2 hours

Boneyard Beach at dawn near Charleston, South Carolina.
Boneyard Beach offers dramatic coastal subjects—perfect for learning composition, texture, and mood.

Recommended gear

Lenses

Bring lenses ranging from at least 18mm to 200mm (full frame; consider crop factor if applicable) to cover architecture, parks, gardens, and coastal scenes.

Polarizing filter

A polarizer is essential for reducing glare and enhancing color—especially helpful for spring foliage, wet surfaces, and coastal conditions.

Historic Charleston home with yellow stucco and flower boxes.
Charleston's colorful homes and flower boxes are perfect for practicing color harmony and detail work.

FAQ

How much time is spent learning versus photographing?

Most of the learning happens while we're photographing. Instruction is woven into the field sessions through conversation, demonstration, and one-on-one feedback. You'll have time to work independently, but guidance is always available if you want it. The goal is to help you make better decisions while you're actually standing in front of a scene, not to interrupt the experience with constant teaching.

Is this workshop appropriate if I'm still developing my skills?

Yes. This workshop works well for photographers who understand the basics and want to improve how their images come together. You don't need advanced technical knowledge, but you should be comfortable using your camera without relying on automatic modes. Instruction is adapted to where you are. Newer photographers build stronger foundations, while experienced photographers refine subtle choices.

How much post-processing instruction is included?

Post-processing support is available on select days, primarily through image review and optional Photoshop help. The emphasis is on understanding what a photograph needs to be finished well, not on complex techniques. You're welcome to participate as much or as little as you like. This workshop remains field-focused, with processing used to reinforce decision-making.

What kind of conditions should I expect in spring?

Spring conditions vary, which is part of the learning experience. Mornings can be cool, afternoons mild, and weather can change quickly. Flower blooms, foliage, and coastal conditions are never guaranteed. Rather than planning around specific elements, we focus on light, structure, and subjects that photograph well across a range of conditions.

How physically demanding is the workshop?

This is a low-effort workshop. Most locations are close to parking, with easy walking on flat ground. A few sites involve short walks of ten to fifteen minutes. Coastal sessions may involve sand and shallow water. You don't need to be highly athletic, but you should be comfortable standing and walking for moderate periods.